Thanks to my student, Jae, from my Women's Studies classes at PSU, former members of the unique Women's Theater Company reunited to talk about adventures we had in the old days.
Jae and Deborah listen as members
describe Lesbian/ Feminist life in the
70's and 80's.
My partner and I were living in Salem when we first heard of this outrageous group in Portland. They were putting on new plays with all women casts that featured Lesbian relationships and promoted feminist ideals. When we moved to Portland in 1983, we found this group as soon as we could. I was in my first production in 1985, where I played a homophobic sorority girl, secretly in love with the main character.
The name of this play was "Alumnae News: The Doris Day Years", written by East Coast playwright Sarah Dreher. Sarah also wrote Lesbian themed novels and was an outspoken advocate of women's and gay rights. A highlight of the run of the play was when Sarah came to Portland to see the show.
In these days of so much acceptance of equality for women and gays, (yes, I know, we're still struggling) it is hard to remember how brave it was for this band of young women to mount feminist and gay positive plays. We did it on a shoestring, too. No grants for this group; just a lot of finagling and determination. I missed the early years of the group where they moved from theater to theater, scraping up rent and having to take the set down every night after performances. I enjoyed hearing more about this time last night. Several of the group remembered how they took movement, dance, and improvisation classes. When Jae asked why they did all this work, one of the group replied, "We were in love. We were in love with our art and our community."
When they first began, the group called themselves "A Real Professional Women's Theater Company." One of the early productions was a feminist Nancy Drew mystery. I was delighted to find that one of us has been a dedicated archivist, and that she had brought copies of all the posters. The posters are quite cool, especially if you consider they were made before computers were part of our lives. Company members designed, printed, and distributed them. They also made their costumes, sets, handled lighting, props, the ticket sales, etc. All in their spare time, because everyone had a day job or two.
By the time my partner and I joined, the Company had a permanent home in the Hollywood District. It was a ramshackle building, and we lived in fear of the Fire Marshal. Members with carpentry talents not only built the sets, but also made alterations to the building to improve it as a theatre and to keep said Fire Marshal happy.
Sometimes there was friction in the group, and the company had a hiatus for a while before I joined. Community won out, and after most members had started therapy, they came together again to mount more productions.
Members of the company were happy
to reunite and rejoice in what we
Before my time, the group took tap dancing lessons so they could put on "The Lydia Pinkham Menstrual Show." This might seem a silly title today, but remember than even mentioning menstruation in public was a radical act. The group often made its points through humor, such as using the name of an old patent medicine in the title of this show.
Poster for the Menstrual Show
Poster for Last Summer at Bluefish Cove--I was in this one!
A longtime member of the company reviews a scrapbook
I'm so grateful to Jae and to all the members of the old Women's Theater Company--thanks for the old memories and the new perspective on this amazing experience!
The next day I led a workshop at The Art of Your Life Studio, called "Assemble Yourself." The participants and I met at the SCRAP store at its new location. Each person could spend 10.00 or under to purchase treasures for the collage they would create back at the studio. I gave myself a dispensation regarding the amount, as I was buying for other classes as well as for myself. Still, my bulging basket only amounted to 8.25 worth of valuable supplies!
Back at the studio Jennifer and Jean dive in
Nicole and Karen begin
Nicole decided her theme would be goddesses
Nicole carefully cuts out an image. She has been to several of my workshops and has learned to loosen up and be less perfectionistic. Still, her ability to be precise comes in handy when cutting out tiny images.
Nicole plans to add this Venus to her goddess assemblage.
Karen's assemblage is a gift for her grandson's other grandmother who was born on Valentine's Day and is named Candy. We all agreed that for a delightfully girly piece like this one, "more is more!"
The inside lid of Karen's piece
The inside of Jennifer's "I Want to Travel" box
Closeup of Jennifer's assemblage. She's used photos, transfers, feathers, rubber stamps and text in French. France will be her first stop when her long-awaited trip takes place.
Here's a closeup of Jean's assemblage in process She was proud of this unique cigarette butt that has symbolic reference to her. The material at the bottom of this view is shredded dollar bills, found at SCRAP of course.
Here's Jean's (almost) finished assemblage. She says the work encompasses both her past and future, as well as sibling and money themes. I love the figure of the dancing woman on the right side of the assemblage. She is made from a twig Jean found outside the studio and dressed in an old dress pattern and ribbon sash. The five bold young women on the left may represent Jean and her four stalwart sisters.
Several of you have kindly asked for an update on the GASP (Garage Art Studio Project.) This last week Julia and I hauled a great big bunch o' wood away. Julia bravely ascended the old built-in ladder to the garage loft, a nasty, dirty place where many squirrels and bugs like to live. She handed down to me every d**n piece of wood that was ever taken out of this house during its many remodelings and remuddlings. (I am not making this up--all the past owners saved everything!)
She also handed down a variety of old doors and a couple of old windows, as well as some beautiful old etched glass light fixtures. (Pictures next time!.) This week I also met with the architect, Dan, and spoke to Steve, the future contractor, who promises to "get [us] through it."